Concentrates on close analysis and criticism of a wide range of films, including works from the early silent period, documentary and avant-garde films, European art cinema, Hong Kong cinema, and contemporary Hollywood fare. Through comparative reading of films from different eras and countries, students develop the skills to turn their in-depth formal analyses into interpretations and explore theoretical issues related to spectatorship. Syllabus varies from term to term, but usually includes such filmmakers as the Coppolas, Spielberg, Eisenstein, Keaton, Godard, Peele, Jenkins, Chan, Deren, Varda, the Wachowskis, and Wong.