We will read the major poems by the most important poets in English in the twentieth century, emphasizing especially the period between post-WW I disillusionment and early WW II internationalism (ca. 1918-1940). Our special focus this term will be how the concept of “the Image” evolved during this period. The War had undercut beliefs in master-narratives of nationalism and empire, and the language-systems that supported them (religious transcendence, rationalism and formalism). Retrieving energies from the Symbolist movements of the preceding century and from turn-of-the-century technologies of vision, early twentieth-century poets began to rethink how images carry information, and in what ways the visual, visionary, and verbal image can take the place of transcendent beliefs. New theories of linguistics and anthropology helped to advance this interest in the artistic/religious image. So did Freud. So did Charlie Chaplin. We will read poems that pay attention both to this disillusionment and to the compensatory joyous attention to the image: to ideas of the poet as language priest, aesthetic experience as displaced religious impulse, and to poetry as faith, ritual, and cultural form. Poets whose work we read include W. B. Yeats, T.S. Eliot, Ezra Pound, Hilda Doolittle, Gertrude Stein, William Carlos Williams, Langston Hughes.