This course will look at literature centered on monstrous figures to think about two things. The first: how do monsters (like devilish magicians, mad scientists, and any number of nameless creatures) show or de-monstrate the fears, anxieties, and problems of specific...
Cookbooks can tell us how to bake a really good chocolate cake, but what is it we find when we read between the lines? Not only sources of recipes, cookbooks are also windows into the worlds that produced them, revealing what foods were available (and to whom), what...
Currently, the term “found footage” is perhaps most commonly understood as a sub-genre of the horror film – one that relies on supposedly “true” lost-and-found footage of hauntings, possessions, and other monstrosities to structure their nightmarish narratives (The...
From ancient Troy, Greece, Rome, and Egypt to medieval England and France, the heroes, lovers, and villains of Shakespeare’s historical plays range widely across Europe and the Mediterranean—while speaking to the politics and passions of his present. We will work...
Is this the only possible world? Or are there ones free of white supremacy, colonialism, capitalism, patriarchy, and ecological devastation? What might it mean not just to imagine other possibilities but to listen for the other worlds that already exist alongside our...
