This course will look at literature centered on monstrous figures to think about two things. The first: how do monsters (like devilish magicians, mad scientists, and any number of nameless creatures) show or de-monstrate the fears, anxieties, and problems of specific...
Currently, the term “found footage” is perhaps most commonly understood as a sub-genre of the horror film – one that relies on supposedly “true” lost-and-found footage of hauntings, possessions, and other monstrosities to structure their nightmarish narratives (The...
What do writers who are mostly famous for their works of prose fiction have to say and how do they necessarily speak their minds differently when they’re writing essays instead of novels? What can this kind of ambidexterity teach us about why some thoughts need...
Famously, the Chinese philosopher Zhuangzi recounts that one day he fell asleep and dreamed he was a butterfly. When he awoke, he was no longer certain whether he was a man who dreamed he was a butterfly – or a butterfly who dreamed he was a man. In this course, we...
The American author Octavia E. Butler once wrote: “There is nothing new under the sun; but there are new suns.” This ability to up-end what we consider possible and to allow us to imagine differently is the hallmark of Speculative Fiction. In this class we will read...
