Bahr’s research blends formalist and materialist approaches in order to find literary resonance in the physical particularities of medieval books and in how those books have survived into the present. He is the author of Fragments and Assemblages: Forming Compilations of Medieval London (University of Chicago Press, 2013) and has co-edited a special volume of The Chaucer Review (47.4, April 2013) with Alexandra Gillespie. His current book project analyzes the so-called Pearl or Gawain manuscript, British Library MS Cotton Nero A.x. One essay related to this project recently appeared in Studies in Philology; another is forthcoming in ELH.
Old and Middle English literature; the structure and interpretation of medieval books; formalism(s), aesthetics, and the idea of the literary.
Fragments and Assemblages: Forming Compilations of Medieval London (University of Chicago Press, 2013).
Co-Editor, with Alexandra Gillespie, Medieval English Manuscripts: Form, Aesthetics, and the Literary Text. Special issue of The Chaucer Review (volume 47.4, April 2013).
Pleasurable Forms and Speculative Histories in the Pages of the Pearl Manuscript. In Progress.
“Celebrate Fragments,” written for the New Chaucer Society’s blog: http://newchaucersociety.org/blog/entry/celebrate-fragments
“Finding the Forms of Cleanness,” Studies in Philology 110.3 (2013): 259-81.
Co-Author, with Alexandra Gillespie, “Medieval English Manuscripts: Form, Aesthetics, and the Literary Text,” The Chaucer Review 47.4 (2013): 346-60.
“Reading Codicological Form in John Gower’s Trentham Manuscript,” Studies in the Age of Chaucer 33 (2011): 219-62.
“The Manifold Singularity of Pearl,” forthcoming in ELH.
“The Manuscripts of John Gower’s French,” in The Ashgate Research Companion to John Gower, ed. Brian Gastle, Ana Sáez-Hidalgo, and R. F. Yeager (Farnham, Surrey: Ashgate Publishing, 2016).
“Variance and Miscellaneity in the Medieval Book,” in The Culture of the Medieval Manuscript Book: New Directions, ed. Michael Van Dussen and Michael Johnston (Cambridge: Cambridge University Press, 2015).
“Teaching Pearl with Sir Gawain and the Green Knight,” in Approaches to Teaching the Middle English Pearl, ed. Jane Beal and Mark Bradshaw Busbee (New York: Modern Language Association of America, 2015).
“Translating Sonnets,” in The Pocket Instructor: Literature, ed. Diana Fuss and William Gleason (Princeton: Princeton University Press, 2015).
“Fear, Time, and Lack: the Egesa of Beowulf,” in Essays on Aesthetics in Old and Middle English Literature in Honor of Howell D. Chickering, Jr., ed. John D. Hill, Bonnie Wheeler, and R. F. Yeager (Pontifical Institute for Medieval Studies / University of Toronto Press, 2014).
Subjects taught in recent years:
21L.000J Writing About Literature (Fall 2013)
21L.001 Foundations of Western Literature: Homer to Dante (Fall 2015)
21L.460 Medieval Literature: Legends of Arthur and the Round Table (Fall 2013)
21L.460 Medieval Literature: Old English and Beowulf (Fall 2015)
21L.705 Major Authors: Old English and Beowulf (Spring 2014)
Medieval Studies and Form: Bahr is a member of FORMER, a collaborative group of medievalists whose work is variously inspired by literary form and aesthetics. Other members include Seeta Chaganti (UC-Davis), Rebecca Davis (UC-Irvine), Shannon Gayk (Indiana U), Eleanor Johnson (Columbia U), Marisa Libbon (Bard C), Ingrid Nelson (Amherst C), Sarah Novacich (Rutgers U), and Jennifer Sisk (U of Vermont).
AMS@MIT: At MIT, Bahr has worked with colleagues from across the Institute to strengthen and expand MIT’s program in Ancient and Medieval Studies (AMS@MIT). This initiative has involved bringing Latin instruction to campus, launching a monthly colloquium series of distinguished speakers from art history, musicology, literature, history, and philosophy, and designing “Empire,” a team-taught, interdisciplinary exploration of the representation and reality of pre-modern empires.
Elsewhere: Arthur can also be found serving as a National judge with the United States Figure Skating Association; undertaking long, involved, and sometimes overly ambitious cooking projects; and listening to Casiotone for the Painfully Alone, various Icelandic bands (múm, Of Monsters and Men, amiina), and a wide range of baroque opera. He misses his much-loved, recently departed cat Alcina very much, and he wants the world to know that he was devoted to Betty White long before she was all the rage.